New York Times

Netta Barzilai of Israel Wins Eurovision With a Chicken Dance

As Turkey Turns Inward, Cultural Exchange Falls by the Wayside

Alice Birch Wins 2018 Blackburn Prize for ‘Anatomy of a Suicide’

Belgium Drops Rapper from World Cup Song After Sexism Outcry

A Musical About Slobodan Milosevic Stirs Memories in Kosovo

After a Promise to Return African Artifacts, France Moves Toward a Plan

Holocaust Artist’s Legacy Is Contested in Germany

A Monument to Syria’s Civil War Is Erected in Berlin

Swiss Prosecutors Will Not Pursue Polanski Rape Investigation

Pussy Riot Takes Aim at Trump and Putin in New Song

French Court Orders Return of Pissarro Looted by Vichy Government

Eric Vuillard Wins Goncourt Prize 

How Chopin’s pickled heart became a symbol of Polish national identity

On Courtney Maum’s Touch

New York Times Magazine

How Did ‘Witch Hunt’ Become the Complaint of the Powerful? 

Financial Times

On the self-care movement 

Short review: Daphne by Will Boast

On the strange allure of chain mail

Short review: Five-Carat Soul by James McBride

On Americana under Trump

Short review: A Poison Apple by Michel Laub

On the Royal Gifts exhibit

Short review: What We Lose by Zinzi Clemmons

Away from my desk: Jeremy Corbyn, Bob Diamond and Paula Hawkins on their perfect summer holidays

On Doug Menuez’s ‘Fearless Genius’ exhibition

On Osaretin Ugiagbe’s ‘Unbelonging’ exhibition

Short review: Letters from Klara by Tove Jansson

On Weegee by Weegee

On ‘Urban Riders’ by Mohamed Bourouissa

On ‘War/PostWar’ by Fons Iannelli

Short review: Essayism by Brian Dillon

On ‘press++’ by Thomas Ruff

On ‘Mathematics’ by Peter Fraser


On Curtis Sittenfeld’s You Think It, I’ll Say It

On Meaghan O’Connell’s And Now We Have Everything

On Madeline Miller’s Circe

On Leslie Jamison’s The Recovering

On Meg Wolitzer’s The Female Persuasion

On Daniel Mallory Ortberg’s The Merry Spinster

On Lisa Halliday’s Asymmetry 

On Sarah Vaughan’s Anatomy of a Scandal 

On Michael Wolff’s Fire and Fury

On Mary Beard’s Women and Power

On Emily Wilson’s translation of the Odyssey

On Kevin Young’s Bunk

A profile of Philip Pullman

On Carmen Maria Machado’s Her Body and Other Parties

On Edward St Aubyn’s Dunbar

On Eleanor Henderson’s Twelve-Mile Straight

On Jean M Twenge’s iGen

On Jesmyn Ward’s Sing, Unburied, Sing

On Claire Messud’s The Burning Girl 

On Bruce Handy’s Wild Things

On Alissa Nutting’s Made for Love

On Anne Helen Petersen’s Too Fat Too Slutty Too Loud

On Sarah Perry’s Essex Serpent

On David Sedaris’s Theft by Finding

On Patricia Lockwood’s Priestdaddy

On Ivanka Trump’s Women Who Work

On Deb Olin Unferth’s Wait Till You See Me Dance

On Jean Hanff Korelitz’s The Devil and Webster 

On Elif Batuman’s The Idiot

On Jami Attenberg’s All Grown Up 

On Katie Kitamura’s A Separation

On Claudia Rowe’s The Spider and the Fly

On Han Kang’s Human Acts

On Aravind Adiga’s Selection Day

On Matt Fraction and Christian Ward’s ODY-C

On Zadie Smith’s Swing Time

On Anne Carson’s Float

On Jeremiah Towers’s Table Manners

On Brit Bennett’s The Mothers

On Fran Wilde’s Cloudbound

On Eimear McBride’s The Lesser Bohemians

On Ann Patchett’s Commonwealth

On Ian McEwan’s Nutshell

On Amor Towles’ A Gentleman in Moscow 

The Wonderful, Terrible Power of Food in Roald Dahl

On Luke Dittrich’s Patient H.M. 

On Nadja Spiegelman’s I’m Supposed to Protect You from All This

On Megan Abbott’s You Will Know Me

On Gay Talese’s The Voyeur’s Motel

On Catherine Banner’s The House at the Edge of Night

On Patrick Flanery’s I Am No One

An appreciation of The Toast 

Annie Proulx’s Barkskins is Lovely, Dark, and Deep

On harassment and Jessica Valenti’s Sex Object 

On Ben Lerner’s irresponsible Hatred of Poetry

Rivka Galchen’s Little Labors 

An essay on glamorized murder, stalking, and Maggie Nelson’s The Red Parts

Edna O’Brien’s The Little Red Chairs

Ethan Canin’s A Doubter’s Almanac

John Wray’s The Lost Time Accidents

Gloria Norris’s Kookooland

Rachel Cantor’s Good on Paper

Bill Bryson’s The Road to Little Dribbling

Elizabeth Stout’s Lucy Barton

Diana Athill’s Alive, Alive Oh!

David Searcy’s Shame and Wonder

Robert Galbraith (J.K. Rowling)’s Career of Evil

Jeanette Winterson’s The Gap of Time

Sarai Walker’s Dietland

Anna Lyndsey’s Girl in the Dark

Miranda July’s The First Bad Man

Amanda Palmer’s The Art of Asking

Charles D’Ambrosio’s Loitering

Lindsay Hunter’s Ugly Girls

Lena Dunham’s Not That Kind of Girl

Louise Glück’s Faithful and Virtuous Night

Roxane Gay’s Bad Feminist

Emily Gould’s Friendship

Jennifer Weiner’s All Fall Down

The collected love letters of Christopher Isherwood and Don Bachardy

Evie Wyld’s All the Birds, Singing

Francine Prose’s Lovers at the Chameleon Club

Maggie Shipstead’s Astonish Me

Mary Beard’s Confronting the Classics

The Book of Jezebel

Natsuo Kirino’s The Goddess Chronicle

Tao Lin’s Tapei

Charles Moore’s Margaret Thatcher

Will Self’s Umbrella

Colm Toibin’s The Testament of Mary

National Book Awards 2014

Chinua Achebe’s death, and literary accomplishments

Race and gender diversity questions in Granta’s ‘Best of Young British Writers’

Adam Johnson’s The Orphan Master’s Son wins the Pulitzer Prize

‘Smoke’ Author Dan Vyleta Keeps It Messy   

New Statesman

An essay on Maggie Nelson, feminism, and domesticity 

Los Angeles Review of Books 

A Visit With Mary Beard

The Washington Post

On Stephen Greenblatt’s Rise and Fall of Adam and Eve

The Guardian

An essay on radical fatness, internet trolls, and Lindy West’s Shrill

The Toast

The Critics Raved

A ‘New’ Sappho Poem: Translation and Commentary

Times Literary Supplement

A review of Heather, the Totality

In conversation 

An interview with CTV’s Marcia MacMillan on Ivanka Trump’s Women Who Work 

An interview with NPR’s Linda Wertheimer about the death of the inimitable Jackie Collins 

An interview with Lithub about book criticism